(King Lear the Space of Tragedy The Diary of a Film Director) PDF FREE Ð Grigori Kozintsev
Of the cinema in Russia in the twenties and Sergei Eisenstein with constant reference to the development f European theatre and the influence f Meyerhold Artaud Gordon Craig and Peter Brook Finally there is of Meyerhold Artaud Gordon Craig and Peter Brook Finally there is story f how the film was actually made with all the adverse weather conditions and last but not least how Dmitri Shostakovich collaborated to compose the musicThere is no single correct interpretation f the play Kozintsev asserts; each realization must be colored by personal feelings and traditions His wn is deeply Russian influenced as it is by the legacy f the nineteenth century Gogol Dostoyevsky and Tolstoy For. ,
Of all Shakespeare's tragedies King Lear is the darkest and most spiritually profound Grigori Kozintsev's Powerful Film Kozintsev's powerful film Lear first shown in the West in 1972 made a profound impression n all those who saw it casting a new light The Essential Elizabeth Montgomery: A Guide to Her Magical Performances on many facetsf the play King Lear The Space Il bicchiere scrivente of Tragedy is the diary Kozintsev kept during the shootingf the film describing the chronological thought process behind the production There are three strands running through the book Firstly there is the theme f Lear and the author's day to day meditations On The Characters And the characters and play Secondly there are the author's reminiscences f the
early days.days. .
Him the play symbolizes man Table For Two on the edgef catastrophe Lear the emotionless despot renounces on the edge f catastrophe Lear the emotionless despot renounces power And In So Doing Becomes in so doing becomes human being In his wanderings he joins the ranks f humanity the tramps and beggars who are caught up L'ispettore Alì al Trinity College on the tidef events ranks Kejsarn av Portugallien of humanity the tramps and beggars who are caught upn the tide Fol of events sweeps them inevitably towards ruin and destruction It is the ultimate irony that Lear having become human in his poverty eventually finds happiness in his reunion with Cordelianly to have it snatched away from him almost immediatelyThis book will be f great interest to all those concerned with Shakespeare criticism and also to cinema enthusiasts and to the theatre world. ,