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Nic. Ontributions of French Pioneers In The Late *pioneers in the late and early twentieth centuries He then examines the cinema of the 1930s examining film effects in works by Eisenstein Jean Renoir and Hollywood's RKO studio Finally e considers what Duty he calls post cinema examining the postwar development of the spatialization of time through slow motion freeze frame and steadi cam techniues Students of film will find Cubitt's analyses of noncanonical films like Sam Peckinpah's Pat Garrett and Billy the Kid as enlightening asis fresh takes on such classics as Renoir's Rules of the Game. .
Ve. A istory of images in motion that explores the special effect of cinemaIt as been said that all cinema is a special effect In this ighly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't uite align with reality What is it that cinema does Cubitt proposes a istory of images in motion from a digital perspective a digital audienceFrom the viewpoint of art istory an image is discrete still How can a moving image constructed countless constituent images even be considered an image And where in. .
Ry. Time is image in motion Cubitt traces the complementary istories of two forms of the imagemotion relationship the stillness of the image combined *with the motion of the body exemplified by what Cubitt calls the protocinema of railway travel and *the motion of the body exemplified by what Cubitt calls the protocinema of railway travel and movement of the image combined with the stillness of the body exemplified by melodrama and the magic lantern He argues that the magic of cinema arises from the intertwining relations between different kinds of movement different kinds of time and different kinds of spaceHe begins with a discussion of pioneer cinema focusing on the The Cinema Effect